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Side one • ' • ' • ' • ' • ' Side two • • ' • ' • ' • ' 'It Is 'He' (Jai Sri Krishna)' is a song by English musician, released as the final track of his 1974 album. Harrison was inspired to write the song while in the holy city of, in northern India, with his friend. The composition originated on a day that Harrison describes in as 'my most fantastic experience', during which his party and their guide toured the city's temples. The song's choruses were adapted from the chant they sang before visiting, a park dedicated to 's childhood. The same pilgrimage to India led to Harrison staging Shankar's in September 1974 and undertaking a with Shankar at the end of that year. Despite the devotional nature of the song, Harrison wrote it part-way through a period of divergence from the spiritual goals he had espoused in his previous works, particularly (1973). Bios flash recovery. 'It Is 'He' serves as a rare example of an overtly religious song on Dark Horse.

Recorded between August and October 1974, the track features an unusual mix of musical styles and instrumentation – including -style keyboards, acoustic guitar, string and percussion instruments,. Besides Harrison, the musicians on the recording include, and, all of whom played in his 1974 tour band and contributed to Shankar's concurrent release,. 'It Is 'He' (Jai Sri Krishna)' continued Harrison's fusion of the Hindu tradition with Western pop and rock. The song failed to gain the favourable reception afforded his earlier productions in that style, however, such as ', ' and '.

With his spiritual pronouncements during the tour proving similarly unwelcome to many music critics, Harrison subsequently withdrew from making such public statements of Hindu religiosity until producing Shankar's album in 1996. 'It Is 'He' was the last overtly devotional song released under Harrison's name until the posthumously issued ' in 2002. I was a stiff Westerner when we started off, but there was a moment when the atmosphere of [Vrindavan] got to me, melting all the bullshit away.

It became a fantastic, blissful experience for me. – George Harrison, 1979 In a 1994 interview held at 's home in California, referred to the reluctance he used to feel before visiting Shankar in India or meeting with, founder of the Hare Krishna movement, or more formally the (ISKCON). This was due to the 'craziness' taking place in his life, Harrison continued, which sat at odds with the spiritual goals represented by these friends. In January and February 1974, he visited India part-way through a period that he describes in his autobiography, (1980), as 'the naughty years', coinciding with the end of his marriage to. The visit led to Harrison writing two songs that would appear on his album later that year: 'It Is 'He' (Jai Sri Krishna)' and '. While the latter track reflected the singer's recent indulgences with drugs and alcohol, 'It Is 'He' documented what author Simon Leng terms 'a spiritual epiphany for Harrison' in the holy city of. Harrison went to India in 1974 to attend a ceremony in honour of Shankar's new home, in, on the banks of the.

At this time, the two musicians came up with the idea for – a revue of presented by an orchestra of eighteen pioneers of the genre – and a subsequent joint tour of North America. From Benares, Harrison and Shankar then travelled across the state of to Vrindavan, where the Hindu deity is said to have spent, thousands of years before. Discussing 'It Is 'He' (Jai Sri Krishna)' in I, Me, Mine, Harrison recalls that they arrived there at dusk, and adds: 'the whole town is Krishna conscious – everyone, everywhere was chanting 'Hare Krishna' and various permutations on that.' Touring Vrindavan's temples [ ]. The at Vrindavan, at sunset – Harrison and Shankar stayed at a riverside during their visit to the town. Shankar had arranged for an English-speaking named Sripad Maharaj to serve as their guide on a tour of the local temples.

Despite the bedraggled appearance of Maharaj, Harrison noticed that throughout the tour, and other passers-by would greet the guide by kissing his feet – a sign of the utmost reverence. The party slept for a few hours in rooms provided by one of the temples, during which Harrison heard 'huge heavenly choirs' in his dreams and experienced 'the deepest sleep I had ever had in my life'. After they had attended morning at this temple, at 4 am, Maharaj began singing a, a Hindu musical prayer. In the tradition of communal chanting, or, Harrison and the others there sang in response, repeating Maharaj's lines, for a period lasting up to five hours. Gardens in Vrindavan, one of the locations that inspired Harrison to write the song Late that morning, Harrison and Shankar accompanied Maharaj to, a park that commemorates Krishna's love for all-night dancing with his (cow-herd girls). Harrison later marvelled of Seva Kunj: 'All the trees, which are so ancient, bow down and the branches touch the ground. Just to walk in that place is incredible.'